1980 Petit Jean Staff Advisor: Dr. Joseph E. Pryor Editor: Charles Murphy Business Manager: Hal West Assistant Editor: Melanie McMillen ------- Photography Staff Head Photographer: Dave Hogan Photo Editor: Cary Hanes Photographers: Doug Fonville, Jim Murphy, Yo Kurabayashi and Russ Summers ------...... Copy Staff ------ Copy Editor: Brad Watson Copy Writers: Bruce Cook. Kay Williams, Sue Ba;, Laura Brown, Cindi Kinkaid, Sheila Choate, Melanie McMillen, Patti Farmer and Beth Parker Contributors: John Kulczyckyj , Richard Teixeira , Andrea Mannen , Corrine Button , Sharon Goetting, Boo Mitchell , Susan Pryor , Reggie Garrett, Linda Hilbun and journalism students Editorial Staff ------ Life: Patti Farmer with Melanie McMillen Also: Lynne Ketteler Inner Circles: Snippi Cox with Sheryl McDivitt Athletes: Matt Flinchum with Rick Foster Also: Greg Rector and Melanie Harding Scholars: Lora Fleener and Carolyn Flinchum Also: Monda Fletcher ~ Faces: Sheila Choate and Sue Baj with Sandy Jesonis Academy: Kim Capps with Assistant Editor Carol Coker Also: Steve Ballinger . Celia Jones, Tracy Romine, Angie Pyland, Bev Alexander . Susan Wright and Karen Flippin Ads-Index: Hal West with JoLynn Varner Special Credits ------ Publicity Office Stafi: Alice Ann Kellar, Chuck Hicks, Mike James, Andrea Mannen and Stan Green Print Shop Staff: Vern Richey, Rodger Gilliam, Twiggy Adams, linda Arnold and Herman West Also: Catherine Gould, Perrin Jones, Doug Hudson , Ruth Brown~ ing, Martha Collar and the Bison staff Editor's Note When the clock strikes twelve tonight, February 29, this year's Petit lean will have been completed on schedule, The final deadline will have been met. Taking until the very last moment to complete something is almost as time-honored a tradition as the excellence of the Petit lean itself. And perh'i\ps the two are related to each other in some circuitous manner. ' The production of the largest and most complete book in Harding's history, needless to say, ha s been no small undertaking. It has taken over 30 persons working from August through February to complete all of the details that go into a book such as this one. The exper ience has been neither entirely painful or pleasureable. The most important task has been to keep the lines of communication open among the Editorial, Copy and Photography Staffs and attending to the various needs of the staffE'rs. Most importantly the credit for what has been done goes to those select persons who gave above and beyond what was required of them to get the book out. Because of this personal investment each staffer has, the 1980 Petit leaH is made a better book, It is not a hollow production of the school's journalists to fill an academic need. It is made up of, literally, significant parts of the lives of those who have contributed to the book. In dosing, let me reiterate one of the points made by 1979 Editor Kay Williams: there is a whole lot more to life than yearbook . While the PI experience is rich in its intangible values, sometimes persons tend to categorize individuals by a single activity in which they are involved. Sometimes ::'5 necessary to serve notice that one's life extends beyond one concentrated area. The phrase "looking back on a new beginning" takes on its full shading of meaning at the close of the Petit leaH 's year. Through reliance on the Lord and love fo r each other. we have finished the course . We have met the challenge. - Ch arles Murphy , Editor ~ Colophon Volume 56 of the Pelit Jedll was a publication of the students at Harding University. The 448-page 1980 edition had a press run of 3900 copies and was published by American Yearbook Company's Visalia, California plant with Charles Galvani overseeing production. John A. Clark of Oklahoma City was the company's representative. Paper stock is 80 pound Warren double coated high gloss enamel and end sheet stock is Hammermill285 Ivory. The cov.:r, designed by Editor Charles Murphy with the assistance of Head Photographer Dave Hogan, was 447 Green River colorlone material with 597 Ivory applied to an embossed front cover and spine. Most of the text and headlines were set by Harding Press. The text f~ce , with exceptions, was 9 / 10 Paladium and Paladium Semibold and captions were set in 8/ 9 Paladium Italic and Semibold. Copy overprinted on or reversed out of dark backgrounds was run in Semibold. The remaining heads and logos were handset from transfer lettering, Portrait identifications and the Index were set in Futura Condenst!d. Approximately 30,000 black and white and 1000 color frames were shot for candid selections. Portraits were taken by Ben Red Studios of little Rock.
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